Exploring the concept of identity, this work considers the impression of the self and one's perceived environment.  This is explored through three mediums: the mirror, the photograph and radiating light.
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The mirror, or reflected image, serves as a metaphor for self-perception. Often serving as the only "active" gateway for one to judge his or her appearance, the mirror is intuitively trusted as an accurate depiction of reality.  The photograph–evoked through the beveled frames in the video–becomes archived evidence; one's documented reference for analyzing self-interactions within an outside environment.  Lastly, the radiating light–that which makes things visible–becomes a symbol for breaking apart this internally constructed framework.  As the beams become more powerful, they distort and obliterate the surroundings, consequently forcing one to reassess their place within it.